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When I Kill You. Michelle Wan. Dying to Play. One of your characters makes an appearance on every page—your setting. Setting is more than descriptions of famous landmarks or street names; it is everything from local slang to cultural traditions to weather. Shaped by their environment, her characters—both the heroes and the villains—are all gun owners. Not a place to murder someone, I discovered.
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Instead of trying to make your chosen setting fit your book, adjust your book to fit the setting. When Trent learned that the Oregon setting of her embroidery mystery series slogs through extremely rainy springs, she used the dreary weather to create mood throughout the story.
How creative do your murderers have to be? Always practical, Webb sticks to the facts. Two very different murders and one can only guess, two very different murderers. After listening to the authors who contributed their experience to this article, it seems mystery authors are less the Queens of Plotting and more the Queens of Revision. Some choose to just settle on one or two key points: who did it, why they did it, or even where they did it.
Then they jump in and see where the characters lead them. Some authors have even found adhering too closely to the outline and not being open to changes can cause problems. Jackson describes it as a game she plays with her readers. And you have to play fair—no pulling the real killer out of thin air! So what are the rules of mystery writing? James Lilley….. Death Knocks Twice. The Legend of Sleepy Harlow. Karen MacInerney ….. Deadly Brew. Elaine Macko…..